FACEBOOK_NS
MUSEUMSPAVILLION SALZBURG, 2011 / KUNSTVEREIN ASCHAFFENBURG, 2013
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Exhibition view: facebook_NS_hit singers _cloud / Fritzi Massary, Renate Müller, Gitta Alpàr, Lilian Harvey, 2011
photo credits: ©Ilse Haider
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facebook_NS_actors_hit singers / Marlene Dietrich, Ana Mae Wong and Leni Riefenstahl, 2011
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Marlene Dietrich, 2013
Original/side 1: M. Dietrich, 1930s, Scherl/SZ-Photo/APA-PictureDesk, Original/side 2: M. Dietrich in DER BLAUER ENGEL, 1930, film poster, photo credits: ©Ilse Haider
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Marlene Dietrich, 2013
Original: M. Dietrich distributes her autographs to American soldiers after her appearance at the front, 1943, Scherl/SZ-Photo/APA-PictureDesk, photo credits: ©Ilse Haider
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facebook_NS_actors_hit singers / Lilian Harvey and Fritzi Massary, 2010/2011
Original (l): L. Harvey in DIE DREI VON DER TANKSTELLE, 1930, IMAGNO/Brandstätter images, Original (r): F. Massary, 1920s, postcard
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facebook_NS_marriage candidates_hit song consumers, 2011
A selection of glass plate negatives from the photo archive of an anonymous studio photographer was on display. The archive consists of 2,500 glass plate negatives — all professional portrait shots of women and men, and wedding photos from the 1930s and 1940s. Some were damaged by environmental influences.
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facebook_NS_marriage candidates_hit song consumers, 2011
The archive was digitized, examined, and indexed according to the criteria available. No reference to the portrait photographer was found, nor were there any references to the persons depicted.
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Exhibition view: facebook_NS_revue, 2013, Germany / Austria / 1930s / 1940s / protagonists
The portraits of one or more people in different poses are brought to life through their juxtaposition. The rhythmic sound of the mouse click refers to both the hit singers and the archival viewing of photos. The selection of images was random. photo credits: ©Ilse Haider
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Exhibition view: Crazy at any price!, 2013
Picture montages with photos from the photo archive of the anonymous photographer and copies of masterpieces of art. The original masterpieces of art were confiscated by the Nazis at the time and were shown at the exhibition “Degenerate Art / Crazy at any price” in Munich, 1937. photo credits: ©Ilse Haider
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After Dompteuse (Animal trainer) by Otto Dix, 2013
Picture montage of photo no. 35489 from the photo archive combined with a copy of the drawing no. 17789-E by Otto Dix: Dompteuse (Animal trainer), 1922
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After Nackttanz (Nude dance) by George Grosz, 2013
Picture montage of photos no. 39996, 36451, 37319, 36114, 35321, 45896, 32543, 36005, 38546 from the photo archive combined with a copy of the drawing no. 16314 by George Grosz: Nackttanz (Nude dance), 1922
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After Entkleidung (Disrobing) by George Grosz, 2013
Picture montage of photos no. 38514 and 38421 combined with a copy of the drawing by George Grosz: Entkleidung (Disrobing), 1921
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Exhibition view: Crazy at any Price!, 2013
Drawings after the photographs from the photo archive, photo credits: ©Ilse Haider
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facebook_NS_actors_hit_singers / Gitta Alpár and Renate Müller, 2010
Original (l): G. Alpár, 1930s, post card, Original (r): R. Müller, 1930s, IMAGNO/Brandstätter images
facebook_NS_revue, 2013 (clip from film)
Germany / Austria / 1930s / 1940s / protagonists
The photos were taken from the photo archive of an anonymous studio photographer. The archive consists of 2,500 glass plate negatives — all professional portrait shots of women and men, and wedding photos from the 1930s and 1940s. Some were damaged by environmental influences. The archive was digitized, examined, and indexed according to the criteria available. No reference to the portrait photographer was found, nor were there any references to the persons depicted. The portraits of one or more people in different poses are brought to life through their juxtaposition. The rhythmic sound of the mouse click refers to both the hit singers and the archival viewing of photos. The selection of images was random.
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