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MUSEUMSPAVILLION SALZBURG, 2011 / KUNSTVEREIN ASCHAFFENBURG, 2013

  • Open Monuments
    facebook_NS_actors_hit singers / Marlene Dietrich, 2011
    32 x 24cm, watercolour
  • facebook_NS_Schlager Singers, 2011
    Exhibition view: facebook_NS_hit singers _cloud / Fritzi Massary, Renate Müller, Gitta Alpàr, Lilian Harvey, 2011
    Photographic emulsion on wood, watercolour and marker on paper

    photo credits: ©Ilse Haider

  • facebook_NS_Schlager Singers, 2011
    facebook_NS_actors_hit singers / Lida Baarová and Gustav Fröhlich, 2010/2011
    32 x 24cm, watercolour
  • facebook_NS_Schlager Singers, 2011
    facebook_NS_protagonists / Joseph and Magda Goebbels, 2011
    32 x 24cm, watercolour
  • facebook_NS_Schlager Singers, 2011
    facebook_NS_actors / Ana Mae Wong and Leni Riefenstahl, 2011
    32 x 24cm, watercolour
  • facebook_NS_Schlager Singers, 2011
    facebook_NS_actors_hit singers / Marlene Dietrich, Ana Mae Wong and Leni Riefenstahl, 2011
    24 x 32cm, marker on paper
  • facebook_NS_Schlager Singers, 2011
    Marlene Dietrich, 2013
    102 x 70 x 33cm, photographic emulsion on wood

    Original/side 1: M. Dietrich, 1930s, Scherl/SZ-Photo/APA-PictureDesk, Original/side 2: M. Dietrich in DER BLAUER ENGEL, 1930, film poster, photo credits: ©Ilse Haider

  • <b> Marlene Dietrich with American Soldiers, </b>2013
    Marlene Dietrich, 2013
    23 x 40 x 7cm, photographic emulsion on wood relief

    Original: M. Dietrich distributes her autographs to American soldiers after her appearance at the front, 1943, Scherl/SZ-Photo/APA-PictureDesk, photo credits: ©Ilse Haider

  • <b> Marlene Dietrich with American Soldiers, </b>2013
    facebook_NS_actors_hit singers / Lilian Harvey and Fritzi Massary, 2010/2011
    each 80 x 60cm, photographic emulsion on wood

    Original (l): L. Harvey in DIE DREI VON DER TANKSTELLE, 1930, IMAGNO/Brandstätter images, Original (r): F. Massary, 1920s, postcard

  • <b> Marlene Dietrich with American Soldiers, </b>2013
    facebook_NS_marriage candidates_hit song consumers, 2011
    Germany / Austria / 1930s / 1940s / protagonists

    A selection of glass plate negatives from the photo archive of an anonymous studio photographer was on display. The archive consists of 2,500 glass plate negatives — all professional portrait shots of women and men, and wedding photos from the 1930s and 1940s. Some were damaged by environmental influences.

  • <b> Marlene Dietrich with American Soldiers, </b>2013
    facebook_NS_marriage candidates_hit song consumers, 2011
    Germany / Austria / 1930s / 1940s / protagonists

    The archive was digitized, examined, and indexed according to the criteria available. No reference to the portrait photographer was found, nor were there any references to the persons depicted.

  • Exhibition view: facebook_NS_revue, 2013, Germany / Austria / 1930s / 1940s / protagonists
    Film: concept/realisation: Ilse Haider, editing: Claudia Nussbaumer and Heike Nösslböck

    The portraits of one or more people in different poses are brought to life through their juxtaposition. The rhythmic sound of the mouse click refers to both the hit singers and the archival viewing of photos. The selection of images was random. photo credits: ©Ilse Haider

  • Exhibition view: Crazy at any price!, 2013
    Picture montages, digital prints / drawings on paper

    Picture montages with photos from the photo archive of the anonymous photographer and copies of masterpieces of art. The original masterpieces of art were confiscated by the Nazis at the time and were shown at the exhibition “Degenerate Art / Crazy at any price” in Munich, 1937. photo credits: ©Ilse Haider

  • After Dompteuse (Animal trainer) by Otto Dix, 2013
    Picture montage, 42 x 30cm, digital print / drawing on paper

    Picture montage of photo no. 35489 from the photo archive combined with a copy of the drawing no. 17789-E by Otto Dix: Dompteuse (Animal trainer), 1922

  • After Nackttanz (Nude dance) by George Grosz, 2013
    Picture montage, 42 x 30cm, digital print / drawing on paper

    Picture montage of photos no. 39996, 36451, 37319, 36114, 35321, 45896, 32543, 36005, 38546 from the photo archive combined with a copy of the drawing no. 16314 by George Grosz: Nackttanz (Nude dance), 1922

  • After Entkleidung (Disrobing) by George Grosz, 2013
    Picture montage, 42 x 30cm, digital print / drawing on paper

    Picture montage of photos no. 38514 and 38421 combined with a copy of the drawing by George Grosz: Entkleidung (Disrobing), 1921

  • <b> Marlene Dietrich with American Soldiers, </b>2013
    Exhibition view: Crazy at any Price!, 2013
    Drawings on paper

    Drawings after the photographs from the photo archive, photo credits: ©Ilse Haider

  • <b> Marlene Dietrich with American Soldiers, </b>2013
    facebook_NS_actors_hit_singers / Gitta Alpár and Renate Müller, 2010
    80 x 60 x18cm, 30 x 25 x 8cm, photographic emulsion on wood

    Original (l): G. Alpár, 1930s, post card, Original (r): R. Müller, 1930s, IMAGNO/Brandstätter images

    facebook_NS_revue, 2013 (clip from film)
    Germany / Austria / 1930s / 1940s / protagonists

    The photos were taken from the photo archive of an anonymous studio photographer. The archive consists of 2,500 glass plate negatives — all professional portrait shots of women and men, and wedding photos from the 1930s and 1940s. Some were damaged by environmental influences. The archive was digitized, examined, and indexed according to the criteria available. No reference to the portrait photographer was found, nor were there any references to the persons depicted. The portraits of one or more people in different poses are brought to life through their juxtaposition. The rhythmic sound of the mouse click refers to both the hit singers and the archival viewing of photos. The selection of images was random. 

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