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CROSSING THE LINE

Galerie Leonhard, Graz, 2023

  • Exhibition view: John Cassavetes, Gina Rowlands and film scene from A Woman under the Influence, 2023

    video credits: ©Ilse Haider

  • Gena Rowlands, 2023, Gena Rowlands, 2023

    40 x 30 x 25cm, 140 x 90 x 25cm, photographic emulsion on wood / acrylic paint

    Original (l): G. Rowlands in FACES, Impress/United Archives/APA-PictureDesk, Original (r): G. Rowlands in GLORIA, Columbia/Everett Collection/APA-PictureDesk, photo credits: ©Ilse Haider

  • John Cassavetes, 2023

    70 x 71 x 40cm, photographic emulsion on wood

    Original: J. Cassavetes, Juan Cortes/Camera Press/APA-PictureDesk, photo credits: ©Ilse Haider

  • Film scene from A Woman under the Influence, 2023

    40 x 60 x 6cm, photographic emulsion on wood / acrylic paint

    Original: Gena Rowlands and Peter Falk in A WOMAN UNDER THE INFLUENCE, 1974, directed by: John Cassevetes, Everett Collection/APA-PictureDesk, photo credits: ©Ilse Haider

  • Exhibition view: Jean Seberg, 2023

    50 x 40 x 31cm, photographic emulsion on wood / acrylic paint

    Original/side 1: J. Seberg in BONJOUR TRISTESSE, 1959, Columbia/mptv/APA-PictureDesk, Original/side 2: J. Seberg in A FINE MADNESS, 1978, Warner Brothers©/David Sutton/mptv/APA-PictureDesk, video credits: ©Ilse Haider

  • Lauren Bacall, 2023, Claire Trevor, 2023

    85 x 60 x 20cm, 42 x 37 x 15cm, photographic emulsion on wood / acrylic paint

    Original (l): L. Bacall, Friedrich/Interfoto/APA-PictureDesk, Original (r): C. Trevor in RAW DEAL, 1948, Everett Collection/APA-PictureDesk, photo credits: ©Ilse Haider

  • Film scene from Key Largo, 2023

    45 x 60 x 10cm, photographic emulsion on wood / acrylic paint

    Original: Humphrey Bogart, Claire Trevor and Lauren Bacall in KEY LARGO, 1948, directed by: John Huston, Everett Collection/CONTRA/APA-PictureDesk, photo credits: ©Ilse Haider

  • Film scene from Teorema, 2023

    40 x 60 x 6cm, photographic emulsion on wood / acrylic paint

    Original: Silvana Mangano and Carlo de Mejo in TEOREMA, 1968, directed by: Pier Paolo Pasolini, Ronald Grant Archive/Mary Evans/APA-PictureDesk, photo credits: ©Ilse Haider

  • Exhibition view: Teorema, Silvana Mangano, Pier Paolo Pasolini, 2023

    140 x 90 x 20cm, photographic emulsion on wood / acrylic paint

    Original (m): S. Mangano in BARABBAS, 1962, Everett Collection/APA-PictureDesk, photo credits: ©Ilse Haider

  • Pier Paolo Pasolini, 2023

    47 x 34 x 11cm, photographic emulsion on wood / acrylic paint

    Original: P. P. Pasolini in IL DECAMERON, 1971, Artemis Film/Mary Evans/APA-PictureDesk, photo credits: ©Ilse Haider

  • Film scene from Il deserto rosso, 2023, Silvana Mangano, 2023

    60 x 78 x 12cm, 85 x 60 x 20cm, photographic emulsion on wood / acrylic paint

    Original (l): Monica Vitti and others in IL DESERTO ROSSO, 1964, Original (r): S. Mangano in MAMBO, 1954, both: Everett Collection/APA-PictureDesk, photo credits: ©Ilse Haider

  • Film scene from Il deserto rosso, 2023

    60 x 78 x 12cm, photographic emulsion on wood / acrylic paint

    Original: Monica Vitti and others in IL DESERTO ROSSO, 1964, directed by: Michelangelo Antonioni, Everett Collection/APA-PictureDesk, photo credits: ©Ilse Haider

  • Monica Vitti, 2023 (both)

    85 x 60 x 20cm, photographic emulsion on wood / acrylic paint

    Original: M. Vitti in MODESTY BLAISE, 1966, Everett Collection/APA-PictureDesk, photo credits: ©Ilse Haider

  • Monica Vitti, 2023

    85 x 60 x 20cm, photographic emulsion on wood / acrylic paint

    Original: M. Vitti, Roger-Viollet/APA-PictureDesk, photo credits: ©Ilse Haider

  • Monica Vitti, 2023

    85 x 60 x 20cm, photographic emulsion on wood / acrylic paint

    Original: M. Vitti, Roger-Viollet/APA-PictureDesk, photo credits: ©Ilse Haider