Open Monuments
Galerie Leonhard, Graz, 2018
-
-
Anna Magnani, 2018
123 x 130 x 30cm, photographic emulsion on wood / acrylic paintOriginal: A. Magnani, 1950s, Everett Collection/APA-PictureDesk, video credits: ©Ilse Haider
-
Film-boards (Neorealism), 2018
30 x 40cm, photographic emulsion on woodOriginal: OSSESSIONE/L. Visconti, ROMA CITTÀ APERTA/R. Rossellini, DER VERLORENE/P. Lorre, PAISÀ/R. Rossellini, LADRI DI BICICLETTE/V. de Sica, STROMBOLI/R. Rossellini, RISO AMARO/G. de Santis, LA PAURA/R. Rossellini, GERMANIA ANNO ZERO/R. Rossellini, photo credits: ©Ilse Haider
-
Siegfried Kracauer and Elias Canetti, 2018
each 70 x 50 x 10cm, photographic emulsion on wood / acrylic paintOriginal (l): S. Krakauer, Jack Nilsberg/Roger Violet/APA-PictureDesk, Original (r): E. Canetti, 1975, Horst Tappe/Ullstein Bild/APA-PictureDesk, photo credits: ©Ilse Haider
-
-
Ingrid Bergman, Peter Lorre and Marlene Dietrich, 2013/2015
100 x 70 x 33cm, photographic emulsion on wood / acrylic paintOriginal: M. Dietrich, 1933, Scherl/Süddeutsche Zeitung Photo, photo credits: ©Ilse Haider
-
Ingrid Bergman and Peter Lorre, 2018
143 x 108 x 25cm, photographic emulsion on wood / acrylic paintOriginal (l): I. Bergman in LA PAURA, 1954, ullstein bild/APA-PictureDesk, photo credits: ©Ilse Haider
-
Peter Lorre, 2018
143 x 108 x 25cm, photographic emulsion on wood / acrylic paintOriginal: P. Lorre in DER VERLORENE, 1951, Everett Collection/APA-PictureDesk, video credits: ©Ilse Haider
-
Simone Signoret and Lamberto Maggiorani, 2018
140 x 90 x 25cm, photographic emulsion on wood / acrylic paintOriginal: L. Maggiorani in LADRI DI BICICLETTE, 1948, Friedrich/Interfoto/APA-PictureDesk, photo credits: ©Ilse Haider
-
Anna Magnani, 2017
80 x 60 x 15cm, photographic emulsion on wood / acrylic paintOriginal: A. Magnani, 1952, SZ Photo/APA-PictureDesk, photo credits: ©Ilse Haider